I just finished listening to a podcast from InContention.com where they touched on the 'Big 4' yet to drop in a serious way on the world, which have been variously considered possibilities of major Oscar news. They are, in no particular order, Nine, Invictus, The Lovely Bones and Avatar.
First, Nine. There have been some press screenings, with various elements of embargo in place, but people are talking about it. They're saying kind of what I anticipated, which I didn't really go into earlier, probably because I was tired. I think it will look incredible - just see the trailer and I'm sure everyone would agree. Rob Marshall knows what he's doing here - he was responsible for Chicago and Memoirs of a Geisha after all. But, like Chicago, I don't expect it to be a film that I'm head over heels in love with. I'm sure it will be entertaining to an extent, and the line up of talent means that surely it can't really go wrong (apparently Kate Hudson is the weakest link here - who would have thought?) But I just don't think it's going to hold up to some of the more powerful films of the year. I think it will be flashy, pretty, and fairly well irrelevant. That kind of seems to be what people are saying after these screenings. Its craft representation will be strong and in a pool of ten Best Picture nominees that might see it pull through, but I don't think it's going to pull of the heights that Chicago did with 6 of the pretty gold men including the big one.
Invictus. That's Clint Eastwood's new film. As I mentioned it only needs to be good to show here, I think. Early word on the film (embargo, embargo, embargo) seems a little mixed. Though generally what I've heard is that it is kind of flat, not Eastwood's best, not quite what it could have been. And that Matt Damon is out at a Supporting Actor shot, and Morgan Freeman is fine and perfectly cast - but will that be enough. Generally, it seems that the expanded Best Picture slot will be the film's saving grace, as it doesn't actually have a great deal else going for it. I think it will be a hit (and with the rugby setting, it could play bigger overseas than at home in the States), I think the reviews will generally be at worst kind of lukewarm, especially from the influential players, and I think it could be happy with a couple of noms. Whether it can play into the major category I just don't know. I wouldn't be surprised though. I mean, it's Clint Eastwood. Everyone loves him. Even if he does leave you a bit... cold.
The Lovely Bones dropped in London with a Royal Gala screening earlier this week, and has been doing some other press screenings (embargo again!) I personally think the trailer looks stunning, but it also looks like a whole film of that could be a bit over the top. Word is, again, mixed. Quite decisively mixed. And it seems to be lacking a major rave anywhere. People are saying Stanley Tucci and Saorise Ronan are very good, and apparently they put more Susan Sarandon in because the test screenings liked her character. People are also having different reactions based on whether or not they have read the book - I have not. This is Peter Jackson, and I think he has a fair bit of respect, so I think ultimately if the film plays well it could be in the picture. I think if the public like it it could just sneak in there. I definitely don't think it will win the majors (in fact, from what I'm hearing I don't think either of the three mentioned so far have a shot of upsetting the current favourites) but it may just sneak through with more than people anticipate IF the public get behind it.
Lastly, Avatar. No one has seen it yet. Except, apparently, for about forty people who James Cameron invited to see it because he wanted their opinions, because the film has not been tested at all. Word of one of these (this is coming from Anne Thompson on IndiWire) is the the film is fantastic. It's a really tough one to call. There are a few elements at play here. Firstly, let's not forget that Cameron's last feature film won eleven Oscars and is the highest grossing film ever (when not adjusted for inflation.) Obviously, the man can do that right. Secondly, the anticipation on this film from the filmmaking community is running white hot. How revolutionary is it? Can Cameron pull it off? Just what the fuck is it all about? Thirdly, will it make money, or at least pull in enough to not bankrupt people along the way. This is the toughest call. Apparently the tracking for it isn't great. I really want to see the film, but I haven't booked tickets yet. I figure I'll see it when I see it. I can't imagine the anticipation levels of my parents are particularly high - they're going to need people to say 'oh my god it's incredible you have to see it' before it registers enough for them to go out to it, I think. Younger people, sure, they'll see it. Families? Maybe. How dark is it looking? Too dark to take your kid to? Cameron said they can't afford to have a target audience (remember, word on the street is putting total costs for the creation and marketing of the film, including ancillary events, at close to half a billion dollars) and that they're banking on it playing to eight year olds and eighty year olds. Really? You really think an eighty year old is going to put this high on their list of things to do for this week? It'll open big (I don't think it'll open Twilight II big, but inflated Imax and 3D screening ticket prices might push it up there - though I still don't think so), so ultimately it comes down to word of mouth. If it holds around (as Titanic did, though that was in a very different box office era) then it'll be in for a shot. If this gets people talking it could be a formidable contender. I think the only shot this film has at being anywhere near as big in the Oscars as Titanic was is if it is spectacular. Groundbreaking in the truest sense of the word. Just merely being very good is not good enough. In fact, it'll hurt it. This film literally needs to lock its lips around yours and suck the air out of your lungs for the three hours I expect it will play for. You need to leave the cinema feeling like you have just witnessed the birth of christ. Without that, I think you can count it out of majors, though not the craft categories. Anything beneath leaving you in a state of hysteria will mean that the film, the buzz, the hype, everything Cameron has been telling you will fall short of expectation, and no film can survive that. Even if expectation is so damned high that it could still be an excellent film.
That was a bit of an Avatar rant, really. But they're my thoughts on the matter. Other things that could affect any of these films showing in the big ten are whether the voters take this opportunity to reward lesser known indy films because they feel the widening gives them that duty. They may think putting precious at the top of their list is enough, but they may also start to go with films like Crazy Heart, The Last Station etc. Basically, these films that could have been locks if they had lived up to anticipation are now maybes like everything else. When the embargoes are lifted and the public starts to get a feel for the films we'll know for sure, but at the moment... it's all get set for the last one to hit next month.
Showing posts with label Invictus. Show all posts
Showing posts with label Invictus. Show all posts
Saturday, 28 November 2009
Monday, 9 November 2009
Let's cut to the chase, shall we? Yes. Let's.
This may end up being a little long, but we're all grown-ups.
It's the beginning of November. In the States this signifies the beginning of the Oscar season, in real and expensive terms. I thought I might just run my mouth off a little about what I think sits where in terms of this particular awards ceremony, in order that those participating in workplace sweeps and the like can start their planning. I'm only going to go over some of the major categories right now, because... that's what I'm going to do. It's worth bearing in mind that, due to my lack of media pass and living on the other side of the Atlantic, I haven't actually seen many of these movies yet. This is all based on what is being said in various forms from around the world. And I'm going to link to a trailer wherever I can. Because trailers are pretty.
First up, let's kick off with some supporting players, shall we?
Best Supporting Actress
The only name that really rings in this category right now is Mo'Nique for the cumbersomely titled Precious: Based on the novel 'Push' by Sapphire. She's been hot favourite for this category literally all year, since she snaffled a Special Jury Prize for her performance at Sundance. From what I've been hearing, every single notice for this film is ranting and raving to the high heavens about her performance. There has been talk lately of the fact that she's not doing any promotion for the film, which traditionally has hurt people in a campaigning sense, and there have been whispers of diva-style antics. But fuck it. If the performance is even half as good as what I'm expecting, she'll be a shoe-in. I think this film is actually going to be hard to kill in a backlash, and she along with it, but we'll get to that. At the moment, I'm putting her as the actress to beat. And that's probably going to be an impossible feat.
Also-rans would include Julianne Moore for her role in Tom Ford's debut A Single Man; any one of all the girls in Rob Marshall's Nine, though my personal hopeful is Judi Dench because she is actually my god; and Maggie Gyllenhaal (be still my beating heart) for Crazy Heart now that it is getting a release. Some people are bigging up Anna Kendrick for Up In The Air, but I'll get to that film later.
Best Supporting Actor
I'm throwing Christoph Waltz for Inglourious Basterds and Matt Damon for the unseen (by anyone) Invictus at the top of my list. Waltz for obvious reasons. Everyone's talking about this performance, and have been for months. He's not as strong a lock as Mo'Nique in her respective category, but he's still probably the one to beat. Damon... look, I've never been a major Matt Damon fan. But there's something about him this year, the props he's getting for this (where I think, if the film turns out all right, should at least net him a nom) and that he received for The Informant!, which actually bombed a little at the box office and will probably not pan out to a second lead actor nod (after that which he received for Good Will Hunting back in the day.) This is a film by Clint Eastwood, about a major recent historical figure, with allegorical ties to the current American administration (both black, both reconciling a country, both trying to make up for past wrongs etc) with Morgan Freeman in the lead - I think it will be a formidable contender, and the trailer looks fantastic.
Also-rans: Christopher Plummer for The Last Station (why can't I find a trailer! Waaah!), which I'm not really feeling, especially since it feels a little like category fraud, though that didn't stop the Winslet win last year. Not that I'm complaining about Kate Winslet winning - I think she's incredible. But still. Where were we? Oh yes. Anthony Mackie for The Hurt Locker because I don't think anything can kill that film and he'll pull through with ground support.
Best Actress
This category is a little all over the place. Gabourey Sidibe is hot right now for Precious, but I think she will have to content herself with a nomination. Come on - she's a non-actor who, granted, may be pulling off a stunning turn, but until people actually know that she can indeed act in anything else, they're not going to give her a naked gold man to play with. Carey Mulligan is running hot for An Education, but she's very young... Helen Mirren is getting attention for the aforementioned The Last Station, but she just won one and this isn't The Queen. People are talking Meryl (of course) for It's Complicated or Julie & Julia, htough probably the former. There is also still lingering sentiment for Abbie Cornish for Bright Star. None of these, however, are slam dunks. I think Mulligan and Sidibe can count themselves in for a nod, but that's about it. I'm not willing to speculate any further until I've seen some more.
Best Actor
It kind of looks same-old, same-old in here, a kind of Best Of of the last forty years. With Crazy Heart being pushed into this season, Jeff Bridges seems to have overnight solidified himself as the front runner, almost four decades after his first nomination. He's never won the man, so I'll pay it. Plus, his performance is meant to be extraordinary, meaning he can get this deservedly and not be forever talked about like Michael Caine - a career-achievement award wearing the plaque of a Best Performance award. He looks set to beat Colin Firth for A Single Man, for which he won the Volpi Cup in Venice and has been receiving a lot of notice for. George Clooney is looking like a nominee again for Up In The Air - who would have thought he'd be such an Oscar darling when we were drooling over him on E.R.? I think Daniel Day Lewis may make a showing with Nine, Morgan Freeman may turn up with Invictus, Damon may turn up with The Informant!, I think Jeremy Renner will turn up with The Hurt Locker. This is a mighty strong category this year, with a lot of product still to come. I think it's Bridges' trophy to lose at the moment, however.
Best Director
This year has been touted as the year of the woman in film. Kathryn Bigelow is hot here for The Hurt Locker. Jane Campion has cooled somewhat but is still a possibility for Bright Star, though not a strong one. Lone Scherfig is looking likely for An Education. So that's three, which is a fair number. Lee Daniels has to be thought of for Precious, but it actually wouldn't surprise me if he didn't get it. There's a bit of a backlash against him personally for kind of taking the credit for the direction of Monster's Ball (which he produced) and for just generally appearing to think that he is god. So he might drop out of the race, probably controversially. I don't think you can count James Cameron out for Avatar. If the film is actually any good, I think it will redefine a number of these categories. And obviously Clint Eastwood for Invictus. If Eastwood is working, he'll get nominated these days. There are a number of other strong contenders, but I think it will look like being amongst these people at the moment, with one or two being replaced by any number of others. So let's leave it at this until it clears up, shall we? Yes. Lets.
Best Picture
This is the biggie, and now the hardest to make any sort of call in, as they have widened it to ten nominees. I'm just going to run through a few that I think will be in, and maybe a couple of others.
Precious is a gimme. Seriously. If this film doesn't end up in contention I'll buy a hat, and then eat it. (Please note that I reserve the right to not actually buy a hat, or eat it. But I don't think it will come to that.) It's the only film to ever win the Audience Award at Sundance and Toronto. It's an Important Film. It's a black film. It's backed by Oprah. It is receiving kudos from around the world. And it opened over the weekend to an estimated USD$100,000 per screen on 18 screens, the highest screen average for any film playing on over 6 screens, ever. This film is going to be big. While most people whose opinions I've heard say that it's a hard slog of a film, and that going into second viewings they have trepidation, winning those two big audience awards says that, difficult though it may be, it is pushing buttons with viewers.
The Hurt Locker is more than likely going to hit home here. Most critics are calling it the film of the year. It is at a disadvantage because it was an early release, though it is not unprecedented for a film to hit cinemas in the States early and go on to major glory - just look at The Silence of the Lambs. I don't think it will manage to trump any major awards, really, but I think it will heavily feature.
Up In The Air will probably feature. I don't know what I'm thinking about this film. I think the widening of the field to ten nominees will pretty much assure it a place, but there's something about the trailer... it all looks to easy. People are loving it from festival appearances, and Clooney is on the campaign trail and well liked so that won't hurt its chances, but for me, he kind of looks like George Clooney in it. There must be something bubbling under the surface, but it's just not ringing with me. I liked Jason Reitman's Thank You For Smoking as a debut, I really liked Juno as an entertaining piece of cinema, and this is meant to be much bigger, better, deeper, metaphorical, all that stuff without doing away with the entertainment aspect. People have been comparing Reitman prematurely to someone like Billy Wilder. The must be something to this film, but I'm just not gagging for it like so many others seem to be. It looks like the kind of film I'll go and see, really enjoy, and then forget about when it comes to crafting a best of 2009 list. This is totally judging a book by its cover, but there you go. That's my feeling. If there is going to be one major upset this year, it wouldn't surprise me if this is it. I don't think it will be, however. I think it's a nominee lock in this category. But don't expect it to be lifting the trophy.
Invictus. It's Clint Eastwood. It's Morgan Freeman. It's political. It's everything they want it to be. Unless the film is a pile of crap, expect it to show up here. If it's good, I'd even be calling it a shot at a Precious upset. There's really not much more to say about this one.
Up is going to be the first animated film to be nominated for Best Picture. Deal with it. It won't win, but there you go.
Avatar - it's too early to call for sure. But, like I said earlier, you can't count Cameron out of the race. Remember Titanic? The movie we all love to slag off? It's still one of the highest grossing films of all time when adjusted for inflation, it's still one of only three films to win 11 Oscars. He's a powerhouse of blockbusters, and the Academy will want to show that they appreciated diversity, even if it means saying hello to a major CGI film from the director of Terminator. This is groundbreaking stuff. If the film works thematically, expect it to be here.
Nine? Maybe. It'll depend on how it plays. A Serious Man? I'm not an enormous fan of the Coen Brothers, but a lot of people are. It could show up here. It's not going to pull a No Country For Old Men, however. The Lovely Bones? Again, don't count Peter Jackson out, but it is WAY too early to tell. Anticipation runs from white hot to totally cold. An Education will probably pull through because of the bigger list. But really, I think the major contenders here are Precious, The Hurt Locker, probably Up In The Air, probably Invictus, and that's about it.
I know I haven't seen it yet, and I am totally aware of the lukewarm critical and commercial receipt it is getting, but I really want to call Where The Wild Things Are a contender. It's easily my most anticipated film of the year. And if that isn't just one of the best trailers ever... But I don't think it will be. I'm DYING to see it, and I can't believe I have to wait another MONTH to see it when it has been out for WEEKS in the States and it is a HIGHLY ANTICIPATED MOVIE that they really should be releasing DAY AND DATE across the globe. But there you go.
So they're my major thoughts right now. It will of course change over time, and I'll probably update bit by bit as I get around to seeing the films mentioned. But it's a bit of an overview of what you should be watching out for should you be interested in all this jazz.
It's the beginning of November. In the States this signifies the beginning of the Oscar season, in real and expensive terms. I thought I might just run my mouth off a little about what I think sits where in terms of this particular awards ceremony, in order that those participating in workplace sweeps and the like can start their planning. I'm only going to go over some of the major categories right now, because... that's what I'm going to do. It's worth bearing in mind that, due to my lack of media pass and living on the other side of the Atlantic, I haven't actually seen many of these movies yet. This is all based on what is being said in various forms from around the world. And I'm going to link to a trailer wherever I can. Because trailers are pretty.
First up, let's kick off with some supporting players, shall we?
Best Supporting Actress
The only name that really rings in this category right now is Mo'Nique for the cumbersomely titled Precious: Based on the novel 'Push' by Sapphire. She's been hot favourite for this category literally all year, since she snaffled a Special Jury Prize for her performance at Sundance. From what I've been hearing, every single notice for this film is ranting and raving to the high heavens about her performance. There has been talk lately of the fact that she's not doing any promotion for the film, which traditionally has hurt people in a campaigning sense, and there have been whispers of diva-style antics. But fuck it. If the performance is even half as good as what I'm expecting, she'll be a shoe-in. I think this film is actually going to be hard to kill in a backlash, and she along with it, but we'll get to that. At the moment, I'm putting her as the actress to beat. And that's probably going to be an impossible feat.
Also-rans would include Julianne Moore for her role in Tom Ford's debut A Single Man; any one of all the girls in Rob Marshall's Nine, though my personal hopeful is Judi Dench because she is actually my god; and Maggie Gyllenhaal (be still my beating heart) for Crazy Heart now that it is getting a release. Some people are bigging up Anna Kendrick for Up In The Air, but I'll get to that film later.
Best Supporting Actor
I'm throwing Christoph Waltz for Inglourious Basterds and Matt Damon for the unseen (by anyone) Invictus at the top of my list. Waltz for obvious reasons. Everyone's talking about this performance, and have been for months. He's not as strong a lock as Mo'Nique in her respective category, but he's still probably the one to beat. Damon... look, I've never been a major Matt Damon fan. But there's something about him this year, the props he's getting for this (where I think, if the film turns out all right, should at least net him a nom) and that he received for The Informant!, which actually bombed a little at the box office and will probably not pan out to a second lead actor nod (after that which he received for Good Will Hunting back in the day.) This is a film by Clint Eastwood, about a major recent historical figure, with allegorical ties to the current American administration (both black, both reconciling a country, both trying to make up for past wrongs etc) with Morgan Freeman in the lead - I think it will be a formidable contender, and the trailer looks fantastic.
Also-rans: Christopher Plummer for The Last Station (why can't I find a trailer! Waaah!), which I'm not really feeling, especially since it feels a little like category fraud, though that didn't stop the Winslet win last year. Not that I'm complaining about Kate Winslet winning - I think she's incredible. But still. Where were we? Oh yes. Anthony Mackie for The Hurt Locker because I don't think anything can kill that film and he'll pull through with ground support.
Best Actress
This category is a little all over the place. Gabourey Sidibe is hot right now for Precious, but I think she will have to content herself with a nomination. Come on - she's a non-actor who, granted, may be pulling off a stunning turn, but until people actually know that she can indeed act in anything else, they're not going to give her a naked gold man to play with. Carey Mulligan is running hot for An Education, but she's very young... Helen Mirren is getting attention for the aforementioned The Last Station, but she just won one and this isn't The Queen. People are talking Meryl (of course) for It's Complicated or Julie & Julia, htough probably the former. There is also still lingering sentiment for Abbie Cornish for Bright Star. None of these, however, are slam dunks. I think Mulligan and Sidibe can count themselves in for a nod, but that's about it. I'm not willing to speculate any further until I've seen some more.
Best Actor
It kind of looks same-old, same-old in here, a kind of Best Of of the last forty years. With Crazy Heart being pushed into this season, Jeff Bridges seems to have overnight solidified himself as the front runner, almost four decades after his first nomination. He's never won the man, so I'll pay it. Plus, his performance is meant to be extraordinary, meaning he can get this deservedly and not be forever talked about like Michael Caine - a career-achievement award wearing the plaque of a Best Performance award. He looks set to beat Colin Firth for A Single Man, for which he won the Volpi Cup in Venice and has been receiving a lot of notice for. George Clooney is looking like a nominee again for Up In The Air - who would have thought he'd be such an Oscar darling when we were drooling over him on E.R.? I think Daniel Day Lewis may make a showing with Nine, Morgan Freeman may turn up with Invictus, Damon may turn up with The Informant!, I think Jeremy Renner will turn up with The Hurt Locker. This is a mighty strong category this year, with a lot of product still to come. I think it's Bridges' trophy to lose at the moment, however.
Best Director
This year has been touted as the year of the woman in film. Kathryn Bigelow is hot here for The Hurt Locker. Jane Campion has cooled somewhat but is still a possibility for Bright Star, though not a strong one. Lone Scherfig is looking likely for An Education. So that's three, which is a fair number. Lee Daniels has to be thought of for Precious, but it actually wouldn't surprise me if he didn't get it. There's a bit of a backlash against him personally for kind of taking the credit for the direction of Monster's Ball (which he produced) and for just generally appearing to think that he is god. So he might drop out of the race, probably controversially. I don't think you can count James Cameron out for Avatar. If the film is actually any good, I think it will redefine a number of these categories. And obviously Clint Eastwood for Invictus. If Eastwood is working, he'll get nominated these days. There are a number of other strong contenders, but I think it will look like being amongst these people at the moment, with one or two being replaced by any number of others. So let's leave it at this until it clears up, shall we? Yes. Lets.
Best Picture
This is the biggie, and now the hardest to make any sort of call in, as they have widened it to ten nominees. I'm just going to run through a few that I think will be in, and maybe a couple of others.
Precious is a gimme. Seriously. If this film doesn't end up in contention I'll buy a hat, and then eat it. (Please note that I reserve the right to not actually buy a hat, or eat it. But I don't think it will come to that.) It's the only film to ever win the Audience Award at Sundance and Toronto. It's an Important Film. It's a black film. It's backed by Oprah. It is receiving kudos from around the world. And it opened over the weekend to an estimated USD$100,000 per screen on 18 screens, the highest screen average for any film playing on over 6 screens, ever. This film is going to be big. While most people whose opinions I've heard say that it's a hard slog of a film, and that going into second viewings they have trepidation, winning those two big audience awards says that, difficult though it may be, it is pushing buttons with viewers.
The Hurt Locker is more than likely going to hit home here. Most critics are calling it the film of the year. It is at a disadvantage because it was an early release, though it is not unprecedented for a film to hit cinemas in the States early and go on to major glory - just look at The Silence of the Lambs. I don't think it will manage to trump any major awards, really, but I think it will heavily feature.
Up In The Air will probably feature. I don't know what I'm thinking about this film. I think the widening of the field to ten nominees will pretty much assure it a place, but there's something about the trailer... it all looks to easy. People are loving it from festival appearances, and Clooney is on the campaign trail and well liked so that won't hurt its chances, but for me, he kind of looks like George Clooney in it. There must be something bubbling under the surface, but it's just not ringing with me. I liked Jason Reitman's Thank You For Smoking as a debut, I really liked Juno as an entertaining piece of cinema, and this is meant to be much bigger, better, deeper, metaphorical, all that stuff without doing away with the entertainment aspect. People have been comparing Reitman prematurely to someone like Billy Wilder. The must be something to this film, but I'm just not gagging for it like so many others seem to be. It looks like the kind of film I'll go and see, really enjoy, and then forget about when it comes to crafting a best of 2009 list. This is totally judging a book by its cover, but there you go. That's my feeling. If there is going to be one major upset this year, it wouldn't surprise me if this is it. I don't think it will be, however. I think it's a nominee lock in this category. But don't expect it to be lifting the trophy.
Invictus. It's Clint Eastwood. It's Morgan Freeman. It's political. It's everything they want it to be. Unless the film is a pile of crap, expect it to show up here. If it's good, I'd even be calling it a shot at a Precious upset. There's really not much more to say about this one.
Up is going to be the first animated film to be nominated for Best Picture. Deal with it. It won't win, but there you go.
Avatar - it's too early to call for sure. But, like I said earlier, you can't count Cameron out of the race. Remember Titanic? The movie we all love to slag off? It's still one of the highest grossing films of all time when adjusted for inflation, it's still one of only three films to win 11 Oscars. He's a powerhouse of blockbusters, and the Academy will want to show that they appreciated diversity, even if it means saying hello to a major CGI film from the director of Terminator. This is groundbreaking stuff. If the film works thematically, expect it to be here.
Nine? Maybe. It'll depend on how it plays. A Serious Man? I'm not an enormous fan of the Coen Brothers, but a lot of people are. It could show up here. It's not going to pull a No Country For Old Men, however. The Lovely Bones? Again, don't count Peter Jackson out, but it is WAY too early to tell. Anticipation runs from white hot to totally cold. An Education will probably pull through because of the bigger list. But really, I think the major contenders here are Precious, The Hurt Locker, probably Up In The Air, probably Invictus, and that's about it.
I know I haven't seen it yet, and I am totally aware of the lukewarm critical and commercial receipt it is getting, but I really want to call Where The Wild Things Are a contender. It's easily my most anticipated film of the year. And if that isn't just one of the best trailers ever... But I don't think it will be. I'm DYING to see it, and I can't believe I have to wait another MONTH to see it when it has been out for WEEKS in the States and it is a HIGHLY ANTICIPATED MOVIE that they really should be releasing DAY AND DATE across the globe. But there you go.
So they're my major thoughts right now. It will of course change over time, and I'll probably update bit by bit as I get around to seeing the films mentioned. But it's a bit of an overview of what you should be watching out for should you be interested in all this jazz.
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